52 pages. Colour & B&W.
Starburst Magazines Ltd.
Edited by Dez Skinn.
Photo cover.
Contents:
2 Superman - the feature film photograph (uncredited).
3 Editorial by Dez Skinn. / Contents / Indicia
4 Close Encounters of the Third Kind review by John Baxter; photographs (uncredited).
9 We Are Not Alone advertisement for Close Encounters of the Third Kind.
10 Things to Come news feature by Tony Crawley.
15 The First British Film Fantasy Convention (one third page) advertisement.
16 Special Preview Quark text feature by Tony Crawley; photographs (uncredited).
18 The Star Wars Interview Harrison Ford interview by Tony Crawley; photographs (uncredited).
23 Is it a Series? Is it a Movie? No, it's a... Star Trek text feature by Sam Deli; photographs (uncredited).
24 Superman - Choice Encounters of the Salkind text feature by Tony Crawley; photographs (uncredited).
r: cover from Action Comics (National Periodical Publications) #01 (Jun 1938) a: Joe Schuster.
r: image from UNKNOWN a: Neal Adams.
26 Superman poster; photograph (uncredited).
29 Book World reviews [Star Trek Fotonovel 1: City on the Edge of Forever, Star Trek: Planet of Judgement, Star Trek: The Price of the Phoenix, Blake's 7, Logan's World, Close Encounters of the Third Kind, So Bright the Vision, The Lavalite World, The Visual Encyclopedia of Science Fiction] by Alex Carpenter & Sam E. Deli.
30 Starburst Letters readers' mail.
32 A History of Science Fiction Films text feature by John Brosnan; photographs (uncredited).
40 Subscription Offer - Free Advertisements (half page) in-house advertisement.
41 Logan's Run Follow the Loser review by Sam E. Deli. / Logan vs. Blake review by Tise Vahimagi. / Logan's Done review by Tony Crawley. / The American View commentary by US correspondent Bill George; photographs (uncredited).
44 Close Encounters Behind the Scenes text feature by John Brosnan; photographs (uncredited).
47 Maya Merchandising advertisement.
48 Weird Fantasy (partial page) advertisement. / Hammer's House of Horror (partial page) in-house advertisement.
51 Dark They Were and Golden Eyed advertisement; illustration by James Cawthorn.
52 Star Wars - Now See the Film at Home advertisement for Leisuremail.
There's lots of ways to grab attention with a cover, yet this issue chooses to feature three photographs of lights. Admittedly, they're from Close Encounters of the Third Kind, but they aren't, by any stretch of the imagination, an attention-grabbing visual. "Never judge a book," and all that, as the contents are up to the usual high quality. John Baxter's review of the film in question is an obvious manner in which to start the issue, with four pages of analysis, facts, opinion, and photographs.
Tony Crowley's Things to Come feature, on projects stuck in development hell, award news, and then-forthcoming releases, goes some way to answering why, of all the various SF cartoons, one has maintained a position of popularity regardless of current fads in the genre:
When George first showed Star Wars to his cast and crew in Hollywood early last year, he opened his special screening with an old Warner Brothers cartoon favourite of his, Duck Dodgers in the 24½th Century.It isn't difficult to draw a line from this resurgence in popularity through to Babylon 5. How long, I wonder, before someone sits down to write a full list of Warner Bros. cartoon's influences on modern SF?
A full year later, Lucas finally got his way in one San Francisco cinema. And now the animated adventures of Daffy Duck and Porky Pig against Marvin the Martian on Planet X are supporting Star Wars in every show...
And guess what appears in Close Encounters? When Richard Dreyfuss wakes up in his playroom and his son is watching TV cartoons? Duck Dodgers rides again... with Porky Pig handing a bomb to Marvin the Martian saying "H'h'h'happy birthday, you thing from another world, you."
Last time any of the cartoon was seen was in a CBS TV's Bugs Bunny in Space show.
For those interesting in charting the progression of a film to the screen, there's an early mention made of Greystoke (six years before its release), with an additional snippet of information regarding Denny Miller appearing in Keeper of the Wild television series. Galactica gets its first mention, as a forthcoming three-hour ABC television movie, though without any photographs - possibly being the first mention of the series this side of the Atlantic.
A feature covering Star Trek's epic transition from small screen to large, with appropriately dismissal of the cartoon, only seems to be included in order to compare the fate of the series with Star Wars. It is too brief to truly delve into the labyrinthine mess, in which various proposals (for both television presentations and feature films) were considered, leaving readers with more questions than answers.
Puns should be used sparingly, and, as a glaring one had already been slipped into the Harrison Ford interview, the Superman article really didn't need to further compound the US trend with the punniest title the title had seen so far. In the form of a rough chronology, which is very scant in detail, the history of the character in various media is recounted (without all the milestones being identified), before following the twists and turns of the production's various incarnations.
It is also a hilarious article to read, thanks in no small part to the facts which Crawley has at hand, but his skill at presenting such material is clear. There's a conspicuous lack of references to the "curse of Superman" - which would have explained much of the production woes - and The Adventures of Superpup is unfairly ignored in the history of the franchise, despite speaking directly to the problems of maintaining audiences' attention. It is a small miracle that the end product, Superman - the Movie, was so watchable.
Cramming more reader feedback into two pages than most magazines publish in a year, the first letters page for the title is a fantastic example of how disparate the views of readers can be. Wendy Richards (most likely not that Wendy Richards) amusingly points out some Trek errors in the first issue, which are probably only noticeable to the show's die-hard fans.
The most important piece is John Brosnan's A History of Science Fiction Films, which covers the period 1902 through to the time of print. It is a flawed masterpiece in miniature, hinting at the possibility of a larger, more in-depth look at the progression of the genre. It is also an almost entirely Western look at SF films, neglecting much of the madness which erupted in Japan upon the release of Godzilla.
There are numerous incredibly noticeable spelling mistakes throughout, which is excusable only as Starburst was an independent publication. Also of irritation, though likely only in retrospect, is the attention given to Close Encounters, which receives another burst of words at the close of the issue.
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